Intervención visual interactiva, El Chimborazo como el origen del sincretismo indígena y mestizo en la Casa Museo de Riobamba.

Abstract

The objective of this investigation was to make an interactive visual intervention from the Chimborazo, the sacred mountain, the impressive snowy mountain, as well the origin of the indigenous and mestizo syncretism within the Casa Museo of Riobamba, the history was investigated by compiling the more outstanding events that had place in this site, collecting both the tangible and intangible of the facts, by joining traditions, customs in general to represent them by means of projected visual amenities with video mapping. Two techniques were used to obtain information, the field observation and interviews inside a focus group of eight professionals that brought all their knowledge and tested the veracity of the historical facts and the origin of the same. Different controllers were used midi that sends and receives messages to manipulate the generated graphics using a computer. At the beginning of this study was taken into account the quantity of elements, iconography and facts that would obtain to represent them in different visual products, for which it was not focused in the physical representation of the symbol of popular culture more representative of this investigation and around the usage of the captured history in the objects that synthetize the cosmology and the Andean world view, the customs and the adopted elements in the miscegenation. The benefit was to bring knowledge of a dynamic and unusual form to a society that unknows its history. As a consequence it is concluded that the graphic design and other professional branches could be complemented to generate knowledge, by using the technology as an instrument to underscore the origin of an identity through the multimedia, at the same time to recommend to have well founded the principles and compositional laws of graphic design for its correct usage.